{"id":279,"date":"2013-10-23T02:16:32","date_gmt":"2013-10-23T02:16:32","guid":{"rendered":"https:\/\/dev2025.jpdaoust.com\/?page_id=279"},"modified":"2020-01-11T21:27:20","modified_gmt":"2020-01-11T21:27:20","slug":"dossier-de-presse-2","status":"publish","type":"page","link":"https:\/\/dev2025.jpdaoust.com\/?page_id=279","title":{"rendered":"Jean-Paul au th\u00e9\u00e2tre"},"content":{"rendered":"<h1>Jean-Paul au th\u00e9\u00e2tre<\/h1>\n<p><img decoding=\"async\" src=\"wp-content\/uploads\/daoust\/photos\/theatre01.jpg\" alt=\"\"><\/p>\n<div>\n<p class=\"amorce\">Po\u00e8te d\u2019humour et de gravitJJnes et autres plaisirs d\u00e9mod\u00e9s.<\/p>\n<p>Dans le hall du Th\u00e9\u00e2tre d\u2019Aujourd\u2019hui, o\u00f9 je rencontre Marcel Pomerlo, Andr\u00e9 Perrier et quelques autres artisans de <em>My name is Jean-Paul<\/em>, nous commen\u00e7ons par parler des objets r\u00e9tro rassembl\u00e9s par la sc\u00e9nographe Lucie Bazzo pour cette production. Vieux abat-jour en velours. R\u00e9f\u00e9rences aux ann\u00e9es 40 ou 50. Lampes en \u00e9tain.<\/p>\n<p>Sur l\u2019intime sc\u00e8ne de chez Jean-Claude Germain, il y aura un souci de transposer quelque chose de passionn\u00e9, de br\u00fblant, de kitsch peut-\u00eatre. Une ambiance qui sugg\u00e8re l\u2019amour dans les ann\u00e9es 40 et 50, dans un appartement montr\u00e9alais empreint d\u2019un souvenir new-yorkais.<\/p>\n<p>\u00abOn a cr\u00e9\u00e9 un personnage de th\u00e9\u00e2tre qui s\u2019appelle Jean-Paul, un \u00eatre qui voudrait que chaque minute de son quotidien soit explosive et plus grande que nature, qui a besoin que la vie soit constamment comme le dernier jour\u00bb, \u00e9voque le com\u00e9dien Marcel Pomerlo, qui a fait des lectures de Daoust dans plusieurs festivals.<\/p>\n<p>\u00c0 force de fr\u00e9quenter Daoust, Pomerlo a eu le go\u00fbt d\u2019en faire un personnage th\u00e9\u00e2tral. Bien que l\u2019homonyme du po\u00e8te incarne toute la d\u00e9mesure de la po\u00e9sie daoustienne, il n\u2019est gu\u00e8re une copie de l\u2019homme Daoust. \u00abOn a nomm\u00e9 Jean-Paul cet homme qui revient comme le narrateur de plusieurs po\u00e8mes. Il voyage beaucoup dans les f\u00eates, son cerveau est en \u00e9bullition, son imaginaire d\u00e9borde\u00bb, indique Andr\u00e9 Perrier.<\/p>\n<p>La vie, la mort et autres d\u00e9mons<\/p>\n<p>La dynamique th\u00e9\u00e2trale imagin\u00e9e par le tandem Pomerlo-Perrier se traduit par un tango entre cet \u00eatre de d\u00e9mesures (rendu par Pomerlo) et les \u00abd\u00e9mons\u00bb (incarn\u00e9s par Paul-Antoine Taillefer, Harry Standjovski et Marie-Jos\u00e9e Gauthier) qui hantent les murs de sa maison. Les r\u00e9f\u00e9rences cin\u00e9matographiques sont tr\u00e8s pr\u00e9sentes, soutient Andr\u00e9 Perrier, qui affirme que ces d\u00e9mons confrontent le personnage po\u00e8te \u00e0 \u00abla platitude de sa vie\u00bb.<\/p>\n<p>Pour composer ce collage th\u00e9\u00e2tral, Pomerlo et Perrier ont obtenu carte blanche pour puiser ce qu\u2019ils voulaient dans l\u2019oeuvre de Daoust. De leurs recherches, ils ont conserv\u00e9 une quinzaine d\u2019extraits, dont plusieurs proviennent de <em>L\u2019Am\u00e9rique<\/em>, un long portrait du d\u00e9clin am\u00e9ricain publi\u00e9 en 1999 chez XYZ.<\/p>\n<p>\u00abCe texte traduit avec une certaine cruaut\u00e9 le clinquant de Chicago, d\u2019Hollywood, d\u2019une Am\u00e9rique qui perd ses rep\u00e8res\u00bb, dit Andr\u00e9 Perrier. De fa\u00e7on toute paradoxale, l\u2019amour de la nature \u00e9mane de l\u2019oeuvre du po\u00e8te n\u00e9 en 1946 \u00e0 Valleyfield. \u00abC\u2019est quelqu\u2019un qui est tr\u00e8s admiratif des choses simples, de la pure beaut\u00e9 d\u2019une fleur, d\u2019un animal, d\u2019un arbre\u00bb, souligne Andr\u00e9 Perrier, qui insiste sur le caract\u00e8re accessible et clair de la po\u00e9sie de Daoust.<\/p>\n<p><strong>Po\u00e9sie<\/strong><\/p>\n<p>Perrier, qui en 2004 signait le spectacle <em>Du p\u00e9pin \u00e0 la fissure<\/em> (inspir\u00e9 d\u2019un autre po\u00e8te nomm\u00e9 Jean-Paul, Desbiens celui-l\u00e0), soutient que la sc\u00e8ne sied bien \u00e0 la po\u00e9sie. D\u2019o\u00f9 l\u2019enthousiasme de la directrice artistique du Th\u00e9\u00e2tre d\u2019Aujourd\u2019hui, Marie-Th\u00e9r\u00e8se Fortin, lorsque lui a \u00e9t\u00e9 propos\u00e9 le concept de <em>My name is Jean-Paul<\/em>. \u00abC\u2019est une parole tr\u00e8s forte, connue du milieu litt\u00e9raire, mais moins dans le grand public. Il faut la faire entendre!\u00bb s\u2019emballe-t-il.<\/p>\n<p><strong><em>My name is Jean-Paul<\/em>, collage de textes de Jean-Paul Daoust r\u00e9alis\u00e9 par Andr\u00e9 Perrier et Marcel Pomerlo, mise en sc\u00e8ne d\u2019Andr\u00e9 Perrier, du 16 avril au 9 mai 2009 \u00e0 la salle Jean-Claude Germain du Th\u00e9\u00e2tre d\u2019Aujourd\u2019hui.<\/strong><\/p>\n<\/div>\n<p><!-- {\"children\":[{\"type\":\"section\",\"props\":{\"style\":\"secondary\",\"width\":\"\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"top-center\",\"text_color\":\"\",\"width_expand\":\"\",\"height\":\"\",\"padding\":\"large\",\"header_transparent\":\"light\",\"animation\":\"slide-left-small\",\"image\":\"wp-content\\\/uploads\\\/Entete01.jpg\",\"image_size\":\"cover\",\"image_effect\":\"\",\"image_parallax_breakpoint\":\"\",\"image_visibility\":\"\",\"video_width\":\"\",\"video_height\":\"\",\"media_blend_mode\":\"\",\"padding_remove_bottom\":true,\"preserve_color\":false,\"overlap\":false},\"children\":[{\"type\":\"row\",\"props\":{\"layout\":\"3-4,1-4\",\"breakpoint\":\"l\",\"fixed_width\":\"auto\",\"width\":\"\",\"width_expand\":\"\",\"height\":\"\",\"margin\":\"\",\"column_gap\":\"\",\"row_gap\":\"\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"vertical_align\":\"middle\",\"style\":\"\",\"text_color\":\"\",\"padding\":\"\"},\"children\":[{\"type\":\"headline\",\"props\":{\"title_element\":\"h1\",\"title_style\":\"\",\"title_decoration\":\"\",\"title_font_family\":\"\",\"title_color\":\"\",\"position\":\"relative\",\"position_z_index\":\"\",\"margin\":\"\",\"maxwidth\":\"\",\"maxwidth_breakpoint\":\"\",\"block_align\":\"\",\"block_align_breakpoint\":\"\",\"block_align_fallback\":\"\",\"text_align\":\"\",\"text_align_breakpoint\":\"\",\"text_align_fallback\":\"\",\"animation\":\"\",\"visibility\":\"\",\"content\":\"Jean-Paul au th\\u00e9\\u00e2tre\",\"position_left\":\"20\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"vertical_align\":\"\",\"style\":\"\",\"text_color\":\"\",\"padding\":\"\"},\"children\":[]}]}],\"name\":\"Ent\\u00eate_01\"},{\"type\":\"section\",\"props\":{\"style\":\"secondary\",\"width\":\"default\",\"vertical_align\":\"middle\",\"title_position\":\"top-left\",\"title_rotation\":\"left\",\"title_breakpoint\":\"xl\",\"image_position\":\"center-center\",\"text_color\":\"\",\"width_expand\":\"\",\"height\":\"\",\"padding\":\"\",\"header_transparent\":\"\",\"animation\":\"\"},\"children\":[{\"type\":\"row\",\"props\":{\"layout\":\"fixed,\",\"breakpoint\":\"m\",\"fixed_width\":\"large\",\"column_gap\":\"\",\"row_gap\":\"\",\"width\":\"\",\"width_expand\":\"\",\"height\":\"\",\"margin\":\"\"},\"children\":[{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"vertical_align\":\"\",\"style\":\"\",\"text_color\":\"\",\"padding\":\"\"},\"children\":[{\"type\":\"image\",\"props\":{\"margin\":\"default\",\"image_svg_color\":\"emphasis\",\"link_target\":\"\",\"image_border\":\"rounded\",\"image_box_shadow\":\"medium\",\"image_hover_box_shadow\":\"\",\"image_box_decoration\":\"\",\"position\":\"\",\"position_z_index\":\"\",\"maxwidth\":\"\",\"maxwidth_breakpoint\":\"\",\"block_align\":\"\",\"block_align_breakpoint\":\"\",\"block_align_fallback\":\"\",\"text_align\":\"\",\"text_align_breakpoint\":\"\",\"text_align_fallback\":\"\",\"animation\":\"\",\"visibility\":\"\",\"image\":\"wp-content\\\/uploads\\\/daoust\\\/photos\\\/theatre01.jpg\",\"image_width\":\"400\"}}]},{\"type\":\"column\",\"props\":{\"image_position\":\"center-center\",\"media_overlay_gradient\":\"\",\"vertical_align\":\"\",\"style\":\"\",\"text_color\":\"\",\"padding\":\"\"},\"children\":[{\"type\":\"text\",\"props\":{\"margin\":\"default\",\"column_breakpoint\":\"m\",\"text_style\":\"\",\"text_color\":\"emphasis\",\"text_size\":\"\",\"column\":\"\",\"position\":\"\",\"position_z_index\":\"\",\"maxwidth\":\"\",\"maxwidth_breakpoint\":\"\",\"block_align\":\"\",\"block_align_breakpoint\":\"\",\"block_align_fallback\":\"\",\"text_align\":\"\",\"text_align_breakpoint\":\"\",\"text_align_fallback\":\"\",\"animation\":\"\",\"visibility\":\"\",\"content\":\"\n\n<p class=\\\"amorce\\\">Po\\u00e8te d\\u2019humour et de gravitJJnes et autres plaisirs d\\u00e9mod\\u00e9s.<\\\/p>\\n\n\n<p>Dans le hall du Th\\u00e9\\u00e2tre d\\u2019Aujourd\\u2019hui,\\u00a0o\\u00f9 je rencontre Marcel Pomerlo, Andr\\u00e9 Perrier et quelques autres artisans de\\u00a0<em>My name is Jean-Paul<\\\/em>, nous commen\\u00e7ons par parler des objets r\\u00e9tro rassembl\\u00e9s par la sc\\u00e9nographe Lucie Bazzo pour cette production. Vieux abat-jour en velours. R\\u00e9f\\u00e9rences aux ann\\u00e9es 40 ou 50. Lampes en \\u00e9tain.<\\\/p>\\n\n\n<p>Sur l\\u2019intime sc\\u00e8ne de chez Jean-Claude Germain, il y aura un souci de transposer quelque chose de passionn\\u00e9, de br\\u00fblant, de kitsch peut-\\u00eatre. Une ambiance qui sugg\\u00e8re l\\u2019amour dans les ann\\u00e9es 40 et 50, dans un appartement montr\\u00e9alais empreint d\\u2019un souvenir new-yorkais.<\\\/p>\\n\n\n<p>\\u00abOn a cr\\u00e9\\u00e9 un personnage de th\\u00e9\\u00e2tre qui s\\u2019appelle Jean-Paul, un \\u00eatre qui voudrait que chaque minute de son quotidien soit explosive et plus grande que nature, qui a besoin que la vie soit constamment comme le dernier jour\\u00bb, \\u00e9voque le com\\u00e9dien Marcel Pomerlo, qui a fait des lectures de Daoust dans plusieurs festivals.<\\\/p>\\n\n\n<p>\\u00c0 force de fr\\u00e9quenter Daoust, Pomerlo a eu le go\\u00fbt d\\u2019en faire un personnage th\\u00e9\\u00e2tral. Bien que l\\u2019homonyme du po\\u00e8te incarne toute la d\\u00e9mesure de la po\\u00e9sie daoustienne, il n\\u2019est gu\\u00e8re une copie de l\\u2019homme Daoust. \\u00abOn a nomm\\u00e9 Jean-Paul cet homme qui revient comme le narrateur de plusieurs po\\u00e8mes. Il voyage beaucoup dans les f\\u00eates, son cerveau est en \\u00e9bullition, son imaginaire d\\u00e9borde\\u00bb, indique Andr\\u00e9 Perrier.<\\\/p>\\n\n\n<p>La vie, la mort et autres d\\u00e9mons<\\\/p>\\n\n\n<p>La dynamique th\\u00e9\\u00e2trale imagin\\u00e9e par le tandem Pomerlo-Perrier se traduit par un tango entre cet \\u00eatre de d\\u00e9mesures (rendu par Pomerlo) et les \\u00abd\\u00e9mons\\u00bb (incarn\\u00e9s par Paul-Antoine Taillefer, Harry Standjovski et Marie-Jos\\u00e9e Gauthier) qui hantent les murs de sa maison. Les r\\u00e9f\\u00e9rences cin\\u00e9matographiques sont tr\\u00e8s pr\\u00e9sentes, soutient Andr\\u00e9 Perrier, qui affirme que ces d\\u00e9mons confrontent le personnage po\\u00e8te \\u00e0 \\u00abla platitude de sa vie\\u00bb.<\\\/p>\\n\n\n<p>Pour composer ce collage th\\u00e9\\u00e2tral, Pomerlo et Perrier ont obtenu carte blanche pour puiser ce qu\\u2019ils voulaient dans l\\u2019oeuvre de Daoust. De leurs recherches, ils ont conserv\\u00e9 une quinzaine d\\u2019extraits, dont plusieurs proviennent de\\u00a0<em>L\\u2019Am\\u00e9rique<\\\/em>, un long portrait du d\\u00e9clin am\\u00e9ricain publi\\u00e9 en 1999 chez XYZ.<\\\/p>\\n\n\n<p>\\u00abCe texte traduit avec une certaine cruaut\\u00e9 le clinquant de Chicago, d\\u2019Hollywood, d\\u2019une Am\\u00e9rique qui perd ses rep\\u00e8res\\u00bb, dit Andr\\u00e9 Perrier. De fa\\u00e7on toute paradoxale, l\\u2019amour de la nature \\u00e9mane de l\\u2019oeuvre du po\\u00e8te n\\u00e9 en 1946 \\u00e0 Valleyfield. \\u00abC\\u2019est quelqu\\u2019un qui est tr\\u00e8s admiratif des choses simples, de la pure beaut\\u00e9 d\\u2019une fleur, d\\u2019un animal, d\\u2019un arbre\\u00bb, souligne Andr\\u00e9 Perrier, qui insiste sur le caract\\u00e8re accessible et clair de la po\\u00e9sie de Daoust.<\\\/p>\\n\n\n<p><strong>Po\\u00e9sie<\\\/strong><\\\/p>\\n\n\n<p>Perrier, qui en 2004 signait le spectacle\\u00a0<em>Du p\\u00e9pin \\u00e0 la fissure<\\\/em>\\u00a0(inspir\\u00e9 d\\u2019un autre po\\u00e8te nomm\\u00e9 Jean-Paul, Desbiens celui-l\\u00e0), soutient que la sc\\u00e8ne sied bien \\u00e0 la po\\u00e9sie. D\\u2019o\\u00f9 l\\u2019enthousiasme de la directrice artistique du Th\\u00e9\\u00e2tre d\\u2019Aujourd\\u2019hui, Marie-Th\\u00e9r\\u00e8se Fortin, lorsque lui a \\u00e9t\\u00e9 propos\\u00e9 le concept de\\u00a0<em>My name is Jean-Paul<\\\/em>. \\u00abC\\u2019est une parole tr\\u00e8s forte, connue du milieu litt\\u00e9raire, mais moins dans le grand public. 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Vieux abat-jour en velours. R\u00e9f\u00e9rences [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":278,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-279","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jean-Paul au th\u00e9\u00e2tre - jpdaoust.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dev2025.jpdaoust.com\/?page_id=279\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Paul au th\u00e9\u00e2tre - jpdaoust.com\" \/>\n<meta property=\"og:description\" content=\"Jean-Paul au th\u00e9\u00e2tre Po\u00e8te d\u2019humour et de gravitJJnes et autres plaisirs d\u00e9mod\u00e9s. Dans le hall du Th\u00e9\u00e2tre d\u2019Aujourd\u2019hui, o\u00f9 je rencontre Marcel Pomerlo, Andr\u00e9 Perrier et quelques autres artisans de My name is Jean-Paul, nous commen\u00e7ons par parler des objets r\u00e9tro rassembl\u00e9s par la sc\u00e9nographe Lucie Bazzo pour cette production. Vieux abat-jour en velours. 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